Taking as its starting point the ethnogenesis of this ethnic group during the Mongol period (13th century), this volume traces their history through Islam, the Ottoman and the Russian Empires (15th and 17th century). The author discusses how Islam, Russian colonial policies and indigenous national movements shaped the collective identity of this victimized ethnic group. Part tw...(展开全部)

In this major new study, Nicolas Tackett proposes that the Northern Song Dynasty (960–1127) witnessed both the maturation of an East Asian inter-state system and the emergence of a new worldview and sense of Chinese identity among educated elites. These developments together had sweeping repercussions for the course of Chinese history, while also demonstrating that there has ex...(展开全部)

In this major new study, Nicolas Tackett proposes that the Northern Song Dynasty (960–1127) witnessed both the maturation of an East Asian inter-state system and the emergence of a new worldview and sense of Chinese identity among educated elites. These developments together had sweeping repercussions for the course of Chinese history, while also demonstrating that there has ex...(展开全部)

作者简介 奥兰多·费吉斯（Orlando Figes），英国人，生于1959年，剑桥大学三一学院博士，现任英国伦敦大学伯贝克学院历史学教授。俄国生活的方方面面，不论是文学艺术，还是政治经济，他都烂熟于心，无人能出其右。他的一系列解读沙俄及苏联历史的著作如《耳语者：斯大林时代苏联的私人生活》《娜塔莎之舞：俄罗斯文化史》等都取得了非凡的成就，是当今英语世界俄罗斯研究的一流大家。作品曾获沃尔夫森奖、NCR图书奖，并入围萨缪尔·约翰逊奖、达夫·库珀奖等，已被翻译成二十多种文字出版。 译者简介 吕品，香港科技大学细胞生物学博士，在英国学术、新闻及商业机构工作多年，曾担任英国《卫报》中文版主编及英文评论版编辑。目前在英国从事卫生经济学领域的循证医疗传播工作。 朱珠，英国纽卡斯尔大学翻译学博士，现任英国爱丁堡大学亚洲学系中文教学主任，研究领域涉及翻译学、心理语言学...(展开全部)

琳达•科利（Linda Colley，1949-），英国皇家历史学会和皇家文学学会成员，普林斯顿大学历史学教授，曾任教于耶鲁大学和伦敦政治经济学院，长于英国史、帝国史和民族主义问题研究。著有《挑战寡头政治：1714-1760年的托利党》（1982年）、《纳米尔》（1988年）、《英国人：国家的形成，1707-1837年》（1992年）、《囚徒：1600-1850年的英国、帝国和世界》（2002）和《伊丽莎白·玛什的痛苦经历：世界历史中的一个女人》（2007年）。 周玉鹏，历史学博士，建筑学博士后。出版有《菲拉雷特建筑学论集》《可持续性建筑》《比例》《紧缩城市》《历史学与社会理论》等专、译著二十余部；主持、指导、参与规划、设计项目十余项。

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical ...(展开全部)

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical ...(展开全部)

In The Ambiguities of Experience , James G. March asks a deceptively simple question: What is, or should be, the role of experience in creating intelligence, particularly in organizations? Folk wisdom both trumpets the significance of experience and warns of its inadequacies. On one hand, experience is described as the best teacher. On the other hand, experience is described a...(展开全部)

Whampoa Military Academy was China's first modern military institution. For decades the "Spirit of Whampoa" was invoked as the highest praise to all Chinese soldiers who guarded their nation heroically. But of all the battles these soldiers have fought, the most challenging one was the civil war that resulted in the "great divide" of China in the mid-twentieth century. In 1949 ...(展开全部)